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While my Tuscan Memories underpainting was drying, I started this one from a picture and sketch I made in Scotland. On this one, the drawing is with a brown, permanent marker. I like brown because it's not a stark as black and seems to be more compatible with paint. I was inside the ruin, looking out when I did this. I worked on this and the Tuscan painting alternately, which was a bit challenging because the colors are so different.
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