A pastel from several photos taken in the woods yesterday, with the skunk cabbage up and flourishing and just the faintest of green showing in the trees. I don't think it's done yet, and I'm still studying it to see what needs to be done.
This painting is a (hopefully) pleasing series of overlapping light, mid-tone and dark rectangles superimposed with an image of a creek in the woods. On hot press paper, half-sheet size. All watercolors. I need some serious critiques, please . . . from anyone with an opinion
Things are blooming here . . . daffodils and forsythia . . . but we've hardly had any sun this spring and I'm heartily sick of gray skies and flat light. I dug out an old photo of tulips I took some years ago and, again, started wet-on-wet. I'm pleased with the brightness of the blooms and the colors I got in the greenery. This is, as usual, much brighter in the bigger version you get when you click on the painting here.
The other day I saw a demonstration by Carolyn Anderson, a watercolor artist from Delaware. She did beautiful roses, starting with wet-on-wet and developing details as the paper dried. So yesterday in class, I decided to try her technique, using a very rough sketch from my sketchbook. The notes with the sketch said "mauve", "forsythia" and "trees". Not much to go on for a painting and it's growing on my as I look at it. I see similarities with the previous painting.
Jane James, PWS, has been painting since 1996, traveling to Nova Scotia, Tuscany and Scotland for painting adventures. She works mostly in watercolor and sometimes pastel or mixed media.